Summary of The Gardener | The Magic of Words

UNIT SIX : LIFE AND DEATH
THE GARDENER
ENGLISH | THE MAGIC OF WORDS
Rudyard Kipling


Rudyard Kipling (1865-1936), a British poet, novelist, and the writer of short stories was born in India and set many of his writings in the Indian flavor. He was awarded by the Nobel Prize for literature in 1907.
 ‘The Gardener’ ends surprisingly revealing the reality of Helen, the protagonist, and her relationship with Michael. Michael, whom Helen calls nephew, is in reality, her son whose father is unknown throughout the story. The gardener is a mysterious character who does not appear at first and in the middle but only
at the last of the story creating confusions in the readers.
Helen Turrell conceals (hides) the truth about Michael till the end of the story but she does not show any reaction when the gardener confidently says he will tell where her son lies.
 The villagers of Hampshire believe Michael to be an unfortunate son of Helen’s late brother, George Turrell and his beloved (not wife). Actually it was not so. She had created a false story about Michael’s parents. Michael was born when Helen was in southern part of France. She had told lies about her trip that she had long troubles. Because of the fear of social stigma she had told another lie that she had arranged for the passage of the child and a nurse from Bombay. She was thirty-five when she gave birth to the child. She showed much fondness to the child despite the fact that she was not the child lover.
 Michael was fearless, Philosophical, and fairly good-looking. At the age of six, he knew that Helen was not her real mother but his aunt. She did not allow Michael to say her mummy because she was unmarried. To escape from the society’s contempt, she made Michael know the false reality.
 Michael got maturity in due course of time but his interest in Helen was constant and increasing throughout. Though Helen wanted him to go to Oxford University, he took war as his career. The First World War was going on. Many soldiers were killed during war. Michael was killed by the shell-splinter explosion. After getting full proof about his death, Helen, being a next of –kin, prepared to go and see his grave in Hazenzeelein the third Military Cemetery with perfect information.
In a teashop, three kilometers away from cemetery, she met an English Woman, Mrs. Scarsworth. They stopped in a hotel where Mrs. Scarsworth revealed that she had come there to see the grave of someone special to her and also that she was unmarried. Helen told lie that she had come to see her nephew’s grave.
Next morning she walked alone towards the grave. As she was searching at the mean time she saw a man knelt behind a line of headstones-evidently a gardener. He did not introduce with her neither did he salute her. He asked her who she was looking for. She said it was Lieutenant Michael Turrell, her nephew. He had finite compassion in his expression and eyes. He said he would show her where her ‘son’ lay. She went away, supposing him to be the gardener when she left the cemetery.

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Summary of In Bed | Magic of Words

UNIT SIX : LIFE AND DEATH
IN BED
ENGLISH | THE MAGIC OF WORDS
Joan Didion


‘In Bed’, an essay by Joan Didion depicts her personal experiences with migraine headache, which she inherits from her parents. She presents something unusual about the disease in a more philosophical and meditative domain of thought.
Joan spends her day in bed there almost five times a month because of the migraine headache. She knows that she is going to be attacked by the headache when she feels some sort of irritation and flow of blood in the vessels of her brain. To avoid the attack she takes some medicines and starts to work. In her earlier days, she thought that she would get rid of the disease just by
denying it. Sometimes she even tells lies saying that she did not have the attack frequently. But the truth was that sometimes the attack was quite violent and long lasting. However, she feels good that she does not have any other physical problems, such as brain tumor, eyestrain or high blood pressure. She also tries to do all her normal work in spite of it. During the attack her right temple (head) would suffer extreme pain and tears would roll down from her right eyes. She would also vomit. Generally the headache may also be caused by stress, allergy, and tiredness, an abrupt change in blood pressure, a flashing light or a fire drill.
It’s strange that no medicine works effectively in case of migraine, especially when the attack begins. Some people may have hallucination, blinding effect, stomach problem, tiredness and pain in all the senses along with headache. They are even unable to do their normal work. During the attack Didion can’t see and speak clearly. She looks as if she has drunk some wine. But the headache never takes anyone’s life. It is interesting to know what doctors believe about a migraine sufferer. They said that the individual is ambitious, inward, and intolerance of unbearable pain But Didion’s untidy hair and carelessness in house keeping do not point out her migraine quality. However her great effort to write and rewrite a single paragraph for a week reveals some sort of perfection. Finally she accepts the diseases and lives with it. When she has it she simply concentrates on the pain. But after ten or twelve hours she gets some sort of refreshment and spiritual power. She opens the window and feels the air, eats gratefully and sleeps well. She feels as if she is blessed by God. Therefore she is happy.

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Summary of On The Vanity of Earthly Greatness | The Magic of Words

UNIT SIX : LIFE AND DEATH
ON THE VANITY OF EARTHLY GREATNESS
ENGLISH | THE MAGIC OF WORDS
Arthur Guiterman


“On the Vanity of Worldly Things” is a poem written by Arthur Guiterman, an American poet and journalist, is best known for his humorous verse. Through humour, he has tried to depict the reality of human beings and animals caused by the change in time. It shows the bitter reality that the power of animals or human beings doesn’t remain same when time and situation change. We always run after reputation and prestige. We become or want to be great and we think it will remain the same forever. We earn reputation and prestige and we think it will remain the same forever. We earn reputation and we think that the credit won’t be lost but actually we won’t think that is
destroyed in due course of time. Our greatness is dismissed by time. So, time laughs at our blindness and pride.
Time is such a thing on which we cannot get victory. The nature has given us limited time to live and exercise our power. Beyond that time, we cannot move according to our desire. Only in favourable time and situation we can perform our actions or activities.
The “vanity” actually means the degrading value of reputations of any persons and animals in the world. To clarify this point the writer has presented few examples. Julius Caesar was a great warrior and a famous general statesman. He earned a great name and fame in his time through his strength and power. But that power lost its value with the change in the time and situation. He does not posses any arm and power to show his power of the past. His head is on the shelf and weapons and other things belongings are only in the museum in the form of history.
The roman emperor Charlemagne was a great in his time by his sword, power. But the power of his sword also became meaningless due to the change in time. Now that sword has been rusted and is kept useless in the museum. Not only the great kings and warriors, but there is also good presentation of powerful animals whose value has been decreased. Grizzly bear, whose embrace was very dreadful, has become nothing more than a rug to give warmth. Tusks of mighty brawls of mastodons have been changed into playing things like billiard balls.
All the given examples are concerned with the greatness but the greatness has been turned and reduced to valueless things. The vanity human greatness and animals’ strength have become a good subject to present irony. That irony makes one feel unwell and quite indifferent to the person.
Everybody becomes great in his time and situation but later on he becomes helpless and valueless. All reputation and achievements will be dismissed quickly. So, it is useless to take pride in one’s power as everything decays and fades away in due course of time.

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Summary of The Six Million Dollar Man | The Magic of Words

UNIT SIX : LIFE AND DEATH
THE SIX MILLION DOLLAR MAN
ENGLISH | THE MAGIC OF WORDS
Harold J. Morowitz


Dr. Harold J Morowita is a professor of Molecular Biophysics and Biochemistry. He is a scientist, teacher, and author. ‘The Six Million Dollar Man’ is a popular essay in which Morowitz examines the statistical statement that the chemical value of the human body is only 97 cents. He spends his essay in refining and improving the statement and tries to arrive at a more accurate definition at the end.
 From a biochemical catalogue he collects the information about the price of ingredients that the human body is made of. Then he calculates the average value of a gram dry weight of human being and his own dry weight. When he multiplies both, he finds his price, i.e. Six million dollar. But soon he realizes that each human being is priceless and infinitely precious. He concludes
his essay with Alfred North Whiteheads conclusion that “ the human body is an instrument for the production at art in the life of the human soul.”
 The author received a humorous birthday and from his daughter and son-in-law with a caption “ According to BIOCHEMISTS the materials that make up the HUMAN BODY are only worth 190 cents.” The definition compelled him to make thorough study of the entire matter. He started by sitting down with his catalogue from a biochemical company and began to list the ingredients and their prices. His biochemical value was 97c when he was paying for the informally poorest form of cool, air, water, lime, bulk iron, etc. but in the six million dollar figure he was paying for his atoms in the highest informational state in which they are commercially available.
 It can be done for less than six thousand trillion dollars. But we cannot evaluate the human life in biochemical point of view. An incubator can develop micro-organisms artificially but it cannot assemble the cells into tissues, tissues into organs, and organs into a person, fill it with life and make a human being.
 Thus, each human being is priceless and infinitely precious. We cannot evaluate a person’s life in terms of money. The rationality and humanity are the characteristics of human being. It can produce anything. Alfred North Whitehead is true that “ The human body is an instrument for the production of art in the life of human soul.”
 Morowitz shifts his subject. He starts out talking about the human body and ends up talking about the human being. Human body and human being differ from each other. Human body is made up of chemical organism but a man becomes human being because of consciousness, rationality and some indispensable human qualities.

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Summary of Malini | The Magic of Words

UNIT FIVE : IDENTITY, GENDER AND ETHNICITY
MALINI
ENGLISH | THE MAGIC OF WORDS
Rabindranath Tagore


Rabindranath Tagore is a Bengali Indian poet, writer and philosopher. He was born is 1861 and died in Calcutta (now Kolkata). He is famous for his poetic works, philosophical plays, novels and short stories. The poetic play, Malini, is a story of love and hatred. It also deals with the topics such as religion, faith, friendship, devotion, sacrifice, forgiveness, loyalty, betrayal, etc.
 The play opens with the agitation of the Hindu Brahmins for the banishment of Malini, the princess of Kashi. A Hindu kingdom. Malini has been charged for her acceptance of a new creed, i.e. Buddhism. Having been taught by Buddhist Monks, she was influenced by
Buddhism. She does not find any attachment with the worldly beauty and the material world. She thinks that wealth does not cling to whose destiny it is to find riches in poverty. Her mother, the Queen opines that for a woman, husband and children are the objects of worship.
 The king and the Queen are worried about her acceptance of Buddhism and request her to give up her new creed. The Queen believes Malini to be a pure flame of fire and thinks some divine spirit has taken birth in her but the king does not want her to take the burden of the world on her shoulders.
 Kemankar, a firm and determined youth, is the leader of agitators. Supriya, the childhood friend of Kemankar is also an agitator. Malini is charged as a poisonous snake who is aiming at the heart of Hindu religion. Supriya does not approve the idea to banish Malini in the name of religion. He knows that the truth cannot be determined by the force of numbers. He supports Malimi’s belief that the love and truth as soul and body of all religions. Though the essence of all religions is same, Kemankar believes in their different forms. Supriya leaves the assembly assuring Kemankar about their friendship.
 All the agitators step back when they come to know that the army is in support of the agitation. They think it as a rebellion and extreme measure. They believe that their faith, not the arms, will give them victory. So make penance and invoke the goddess to descend from heaven to less and give power to them. Malini enters with all in the palace, and receives the honour of the ordinary citizens except Kemankar and Supriya. They ask for forgiveness, Malini announces her self exile and wants to make home renouncing the royal palace. Kemankar becomes alone in the agitation. So he makes a plan to go to the foreign land to bring soldiers to fight. Though Supriya does not like this plan, he wants to go with him for their friendship’s sake. Kemankar orders him to remain there to watch and keep him informed.
 The first part of the play ends with the conversation about Malini. The king shows the determination to banish Malini as the demand persisted but he immediately changes his mood when he learns about Malini’s missing. But Malini is brought back by the Brahmins and the soldiers with a great honour.
 The second part of the play opens in the garden where Malini and Supriya are talking. Supriya wants to be led by Malini but she does not think herself so great to lead him. During conversation Malini wants to learn about Kemankar from Supriya. He said that Kemankar’s mind has always been firm and determined while his mind or thoughts are always flickering with doubts. Supriya suddenly reveals that he has deceived his friend by informing his plan to the king.
 The king enters. He is very much happy with Supriya and so he proposes Supriya to ask for anything even the princess Malini along with provinces worthy to tempt a king. But he refuses all. He thinks these as rewards for his treachery. He only wants love from Malini, which she has for every creature in the world.
 Kemankar has been captured by the king’s soldiers and the king is going to execute him for his treason. Both Malini and Supriya plead the king to pardon him. He is brought before the king who wishes to meet Supriya. Since he wants to know why Supriya has done that or why he betrayed his own friend. Supriya replies he did to keep faith. He blames Supriya being a faithless. Supriya replies that true faith is there is love, where there is man. He says he got the knowledge from malini, which he could not get from any sacred books. Supriya wants to make compromise but Kemankar says falsehood and truth cannot live side by side in friendship.
 Supriya assures Kemnakar that he is paying his life for his love as Kemankar knows for the faith. At this Kemankar wants them to be judged in front of the death. Then Kemankar strikes Supriya with his chains and Supriya falls and he dies. Kemankar calls for his executioner but Malini requests the king to forgive him. Character sketch of Malini.
Princess of Kashi, a Hindu kingdom.
Innocent young girl.
Influenced by Buddhism.
Does not find any attachment with the worldly beauty and material world.
Thinks that wealth does not cling to those whose destiny it is to find riches in poverty.
She is a Pure flame of fire and seems as if some divine spirit has taken birth in her.
Maintains that love and truth to be the soul and body of a religion.
Has love for all the creatures in the world.
Has infinite compassion to everyone, even to the sinner as Kemankar.
Like a lamp in the darkness.
Has forgive to everyone, etc.

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Summary of Oops! How's That Again ? | The Magic of Words

UNIT FOUR : HUMOUR
OOPS ! HOW'S THAT AGAIN ?
ENGLISH | THE MAGIC OF WORDS
Roger Rosenblatt


“Oops! How’s That Again” is an essay written by Rosenblatt and this essay has a humorous tone. Through the humorous tone also, the essayist has tried to reflect the bitter reality of human beings when they make mistake when they speak. He enriches his discussion with remarkable examples; although, as befits its subject. He is much concerned with the psychological causes of bloopers.
Human beings often make mistake knowingly and unknowingly when they speak. After making mistake they also apologize for it. From the uneducated person to highly intellectual and educated, scholar, different mistakes are made according to their level. This essay describes the mistake
the people make while speaking and the reasons behind it are divided into four categories. They are as follows: i. Public Blunders ii. Memorable Translations iii. Bloopers iv. Spoonerisms.
Public Blunders are the mistakes made by the people when they give speech. While delivering the speech, they don’t actually care for the grammatical mistakes or vocabulary mistakes. These mistakes are specially committed by especially by the political leaders when they deliver their speech. They try to give emphasis by giving different examples but their sentences are not totally complete. This happens due to their tongue slip. Here the speaker may be trying to give message from one view but the different audience may take it in wrong way.
Memorable translations are the mistakes generally done by the people who speak very fast. This is also related to the psychological condition of the listener. The words spoken by the fast speaker may not be easily understood the real words. There may be misunderstanding between the speaker and listener. The person with weak psychology, if, wrongly interprets the words of the speaker, it may bring violent situation.
Bloopers are the mistakes done foolishly and not tried to correct. These mistakes are very simple types of mistakes, which are not given much importance by the speaker. This may be the habit of some people. Spoonerisms are the mistakes, which are done by the use of incorrect words due to tongues slips. Here, wrong words are not known by the listener as the speaker immediately tries to replace the wrong word when he comes to know the mistake. While the replacement of words the speaker should be conscious as wrong replacement can misinterpret the actual meaning.
There are different views about the verbal errors according to different people. Victoria Fromkin, a linguist, says that the verbal errors happen due to tongue slips concerned with the brain. Before the words are expressed, thought is placed by the brain into a grammatical framework. Sigmund Freud, a psychiatrist, presents his theory about the verbal error in different way. According to him, a tongue slips are caused by the network of id (unconscious mind), ego (subconscious mind) and superego (conscious mind). When people make mistakes, it has become the trend to laugh at them. Why do we laugh at them we don’t know. According to the philosopher Henri Bergson, the act of laughter is caused by any interruption of normal human fluidity or momentum. So, tongue slips are like slips of banana peels. We simply make fun and hoot at the errors simply to break the monotonies.

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Summary of Concrete Cat | The Magic of Words

UNIT FOUR : HUMOUR
CONCRETE CAT
ENGLISH | THE MAGIC OF WORDS
Dorthi Charles

“Concrete Cat” is an example of a concrete poem, a poem just giving focus to the physical picture and not the imagination, emotion and language. This type of poem is written for eyes and not for mind and heart. It does not appeal to the heart because it doesn't emphasize on emotion and thought. It is written in the short form, which is also called “reduced language”. Words do not follow the regular pattern of the poems. Words are scattered in such a way that they form the real portrait of the thing to be expressed by the poem. The chief concern of such a poem is with the physical appearance of poetry- not primarily with ideas or emotions and also not with language as we ordinarily use.
This poem says something about a cat and its “catness” in action. Ear, eye, mouth, whisker, tail, etc. all sketched on the page denote both physical and abstract meanings. The middle stripe is the only place where language aspires toward poetry and becomes figurative. This middle stripe shows stomach part which says much about the human world and human activities.
Unlike other poem, the words are arranged in such a way that emotions are kept in a shadow and real portrait is highlighted. From the words written in different shapes and styles we understand the poem. The poem creates such a situation that we can see the real picture of cat immediately after we read the poem. Outer appearances seem to be important than emotions and thoughts. Different parts of cat’s body are presented by the use of words in their respective places.
Generally poems are written in certain stanza and generally follow the traditional pattern. Many poems are written in ornamental language. But, this poem doesn't follow that pattern. This poem is made for our eyes rather than our ear. The meaning of the poem is nothing other than the portrait of the cat. The poet has used craftsmanship.

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